Bebas Neue
Free for commercial use
Freitag Display Font
Uploaded by Zetafonts — Sans serif Typeface
Specimen image — coming soon
- License
- Free for personal use
- Designer
- Zetafonts
- Free for personal use
- Free for commercial use
The font here is for PERSONAL/NON-COMMERCIAL USE ONLY!
To download the full font family (all weights, glyphs and numbers) and acquire the commercial license please visit our website:
https://www.zetafonts.com/freitag
Join the exclusive Type Club to get free fonts and special offers on new releases!
https://www.zetafonts.com/typeclub
CONTACT US:
website: https://www.zetafonts.com
have a question? info@zetafonts.com
---
Probably as a reaction to the pragmatism of modernist design, the seventies saw an explosion of buoyant, vivacious typography. Psychedelia fueled a return to the melting, lush shapes of Art Nouveau while Pop culture embraced the usage of funky, joyful lettering for advertising, product design and tv titling. New low-cost technologies like photo-lettering and rub-on transfer required new fonts to be expressive rather than legible, pushing designers to produce, bubbly, high-spirited masterpieces, where geometric excess and calligraphic inventions melted joyfully.
Freitag is Cosimo Lorenzo Pancini's homage to this era and its typography. His starting point was the design of a heavy sans serif with humanist condensed proportions, flared stems and reverse contrast, that generated both the main family, and a variant display subfamily. More...
The main typeface family slowly builds the tension and design exuberance along the weight axis - a bit like our desire for the weekend increases during the week. In Light and Medium weights the font shows a more controlled, medium-contrast design, tightly spaced for maximum display effect. The Book weight follows the same design but uses a more relaxed letter spacing to allow usage in smaller sizes and short body copy. As weight increases in the Bold weight the style becomes more expressive, with a visible reverse contrast building up and culminating in the Heavy weight with his clearly visible "bell bottoms" feel.
In the display sub-family the design is pushed further by introducing variant letterforms that have a stronger connection to calligraphy and lettering. Also, the weight range becomes a optical one, with weights marked as Medium, Large, XLarge, as bringing the contrast and the boldness to the extreme creates smaller counterspaces that require bigger usage sizes. Another important addition of the display subfamiily is the connected italics that sport swash capitals and cursive letterforms, developed with logo design and ultra-expressive editorial design in mind. To balance the extreme contrast in the XL weight, contrast of punctuation is reduced, creating a rich, highly-dinamyc texture wherever diacritics and marks are used in the text.
The full family includes 16 styles + 4 variable fonts, allowing full control of the design over its tree-hugging design space. All 20 fonts share an extended latin charset with open type features including case sensitive forms, single and double story variants and alternate glyphs.
According to its creator, "Freitag is the typeface that sounds like an imaginary Woodstock where on the stage with Jimi Hendrix with Novarese, Motter, Excoffon and Benguiat playing onstage with Jimi Hendrix". Jeepers creepers!
To download the full font family (all weights, glyphs and numbers) and acquire the commercial license please visit our website:
https://www.zetafonts.com/freitag
Join the exclusive Type Club to get free fonts and special offers on new releases!
https://www.zetafonts.com/typeclub
CONTACT US:
website: https://www.zetafonts.com
have a question? info@zetafonts.com
---
Probably as a reaction to the pragmatism of modernist design, the seventies saw an explosion of buoyant, vivacious typography. Psychedelia fueled a return to the melting, lush shapes of Art Nouveau while Pop culture embraced the usage of funky, joyful lettering for advertising, product design and tv titling. New low-cost technologies like photo-lettering and rub-on transfer required new fonts to be expressive rather than legible, pushing designers to produce, bubbly, high-spirited masterpieces, where geometric excess and calligraphic inventions melted joyfully.
Freitag is Cosimo Lorenzo Pancini's homage to this era and its typography. His starting point was the design of a heavy sans serif with humanist condensed proportions, flared stems and reverse contrast, that generated both the main family, and a variant display subfamily. More...
The main typeface family slowly builds the tension and design exuberance along the weight axis - a bit like our desire for the weekend increases during the week. In Light and Medium weights the font shows a more controlled, medium-contrast design, tightly spaced for maximum display effect. The Book weight follows the same design but uses a more relaxed letter spacing to allow usage in smaller sizes and short body copy. As weight increases in the Bold weight the style becomes more expressive, with a visible reverse contrast building up and culminating in the Heavy weight with his clearly visible "bell bottoms" feel.
In the display sub-family the design is pushed further by introducing variant letterforms that have a stronger connection to calligraphy and lettering. Also, the weight range becomes a optical one, with weights marked as Medium, Large, XLarge, as bringing the contrast and the boldness to the extreme creates smaller counterspaces that require bigger usage sizes. Another important addition of the display subfamiily is the connected italics that sport swash capitals and cursive letterforms, developed with logo design and ultra-expressive editorial design in mind. To balance the extreme contrast in the XL weight, contrast of punctuation is reduced, creating a rich, highly-dinamyc texture wherever diacritics and marks are used in the text.
The full family includes 16 styles + 4 variable fonts, allowing full control of the design over its tree-hugging design space. All 20 fonts share an extended latin charset with open type features including case sensitive forms, single and double story variants and alternate glyphs.
According to its creator, "Freitag is the typeface that sounds like an imaginary Woodstock where on the stage with Jimi Hendrix with Novarese, Motter, Excoffon and Benguiat playing onstage with Jimi Hendrix". Jeepers creepers!
Size
Freitag Display - Freitag Display L Italic Trial
Freitag Display
Freitag Display - Freitag Display L Trial
Freitag Display
Freitag Display - Freitag Display M Italic Trial
Freitag Display
Freitag Display - Freitag Display M Trial
Freitag Display
Freitag Display - Freitag Display XL Italic Trial
Freitag Display
Freitag Display - Freitag Display XL Trial
Freitag Display
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
0123456789 (!#$%&/.|*@?:;)
Typography
Great type turns words into design.
THE FIVE BOXING WIZARDS JUMP QUICKLY
the quick brown fox jumps over the lazy dog
$1,234.56 · 25% off · 09:45 AM · (2024) · #Fontlala
Every typeface has a voice. Some whisper, some shout — and the best ones say exactly what you mean before a single word is read.
Pick a font that fits your idea, set it with care, and let the letters do the talking. From bold headlines to the smallest caption, good type stays clear at every size — clean curves, even spacing, and characters that feel at home together.
A well-made font carries your message across posters, screens, packaging and print without ever getting in the way. That is the quiet craft of typography: structure you feel, but rarely notice. 0123456789 — the details matter.
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